Wednesday, June 3, 2009

Twilight (2008)

Kristen Stewart and Robert Pattinson

Yes reader, you read the title correctly, I watched Twilight. In true Millie fashion, I've been aloof to this now waning tween craze until finally, by chance, I happened upon last summer's blockbuster that had nearly every 12 year old in the country wetting her low-rise stretch jeans. Actually reader, I love this. Well, not the sexual references to 12 year olds. I love reading or watching something that's frenzy has expired. I feel it allows me a truer, if not fuller, experience. My motto: see it opening night or hunker down and playing the waiting game. And now that I've convinced you I enjoy films most when I'm far from people's opinions of them, how's about you read this review?

Stewart and Elvis, I mean, Pattinson

The basics: Based on Stephenie Meyer's novels - best selling is an egregious understatement, - Twilight follows Bella Swan (Kristen Stewart), a 16 year old who's recently moved from Phoenix to Fork, Washington. Although she's expecting little from the teeny, rainy town, Bella is soon thrown for a major love loop when she meets the pale, mysterious, almost fictionally handsome Edward Cullen (Robert Pattinson). He never eats, skips school when it's sunny, and is cold to the touch . . . oh dear, could she have fallen hopelessly in love with . . . a vampire?!

Well, well, well reader, so what do we make of Twilight? Is it worth the incredible buzz it stirred up, the gazillions it continues to make, and the overwhelming fanfare? Sure.. Why not?

First off, I have to admit that I have not read the book. Okay Twilight fans - I have not read the book - so I cannot speak to what's missing, Kristen Stewart's being miscast, or the fact that scaling a tree is a lot less humorous in prose. That major fact aside, yea, it's a pretty entertaining film with really hot leads that is thoughtfully directed.

Nikki Reed, Peter Facinelli, (from Can't Hardly Wait, woohoo!), and Pattinson

Speaking of direction, I fully endorse Catherine Hardwicke, despite the fact that many fans felt she took wind out of the book's sails and was perhaps not seasoned enough a choice. To them I say, stick some garlic in it! The Thirteen alum is obviously dealing with a completely different beast here: the Harry Potter of vampire books instead of a shockingly raw indi pic. Does it work? For the most part, it sure as stake does. Although, you are talking to a couple of gals who so easily tire with the typical Hollywood output. Gals who are thrilled with something so simple as an extra crossing in front of the camera, covering our main star for even a brief second. There is something nontraditionally presentational about Hardwicke's "Hollywood" style and I firmly believe this adds some much needed street cred (by which I mean cinematic cred) to the movie. Her shot composition is literary, and by typical mainstream standards, almost complex. There's an eerie and (somewhat shrouded) gritty quality to this film - it's obviously nuanced - and for me, for Hollywood, I cannot complain.

Sure, there are some technical elements that come off as silly (the "speed running" up a mountain and aforementioned tree scaling look a bit foolish), and yes, this does distract from the overall success of the film. It gets knocked it down a few pegs, though remains on the top rungs of the really-not-so-bad ladder.

"Like two sparrows in a hurricane . . ."

And the kids, you ask? Well, here's the ratio. For all of the film Pattinson is prettier. For most of the film Stewart's a better actor. They are both highly watchable, though I was left wanting a certain, hmmmm, maturity maybe? Perhaps their performances are ideal, for after all they are teenagers, but I'm almost speaking to their abilities as actors as much as anything else. Maybe they'll wow me in the upcoming The Twilight Saga: New Moon, but the trailer made them appear even a bit stagier than before! About a Boy and Golden Compass director Chris Weitz has large expectations to fill for sure . . . and maybe we can see some fangs this time?

Jealous.

Before I leave you to the meter, there is one thing that must be said. This film, and the story that inspired it I imagine, is a romantic's wet dream, especially if said romantic can easily recall those awkward days of high school where fantasy and day dreaming reigned supreme. There is an undeniable chemistry between Stewart and Pattinson that makes the naive-turned-super-intense-love between these two teenagers root-for-able. We all know I'm a sucker for a good love story (pun most certainly intended) but there is something all the more enticing about the teenage version. Something that reminds me of a place where nothing like the movies ever happened, but there existed a genuine belief that it might. A wide-eyed hope that fades pretty much as soon as that cap and gown are donned for the first and last time (or the first time you get in a B+ in college, ugh).

So, to recap, it's not Murnau by any stretch of the imagination, but it's arguably something to shake a stake at. Oh puns!

Millie's bees to knees meter (1 bee = blah, 10 bee = hoo-rah!): 6.5

Director: Catherine Hardwicke
Starring: Kristen Stewart, Robert Pattinson, Billy Burke, Peter Facinelli
Distributor: Summit Distribution
Released: 2008

5 comments:

jay said...

I have a lot of issues with this film & the books, particularly in the warped concept of "romance" that they portray to young girls. This review from Amazon of the book sums up my feelings pretty well:
-------------------------------

"The legends are true; the vampires sparkle"

By Elizabeth A. Barr (Melbourne, Australia)

I wasn't going to read this, but all the sparkly text and hystrionics on the internet piqued my curiosity. It took a couple of goes to get into it, but once the story hooked me, I found it difficult to put the book down -- except for those moments when I had to stop and shriek at my friends, "SPARKLY VAMPIRES!" or "VAMPIRE BASEBALL!" or "WHY IS BELLA SO STUPID?" These moments came increasingly often as I reached the climactic chapters, until I simply reached the point where I had to stop and flail around laughing.

The plot revolves around Bella Swan, a Mary Sue whose primary skills seem to be having a martyr complex, attracting trouble, and falling down. She moves to the rainy town of Forks to live with her father after some banal shenanigans make it impossible to live with her mother. Or so she likes to claim, but like I said, one of Bella's superpowers is Being a Martyr. At her new school, Bella is instantly feted as the queen of the social scene -- everyone likes her except (shock!) the impossibly beautiful Edward Cullen. Who is a vampire.

(Particularly grating is Bella's OUTRAGE that the normal boys of Forks like her and want to spend time with her, and express this by being friendly and openly indicating that they have a romantic interest in her. I mean, sure, it's awkward being the subject of unwanted romantic attention -- or so I've heard -- but at least they're not playing creepy mind games and breaking into her house to watch her sleeping, because that would be -- oh, hang on...)

Edward doesn't actually hate Bella, he simply lusts after her. I mean, wants to suck her blood. I mean, sniff after her creepily. Bella apparently poses a threat to the entire non-evil vampiric subculture, so of course Edward asks her to go steady with him. But not until they've spent many, many, many chapters engaged in tedious 'banter' that is possibly intended to remind the reader of Pride and Prejudice, or at least, remind the reader of some fanfic based on a loose film adaptation of Pride and Prejudice.

Then they hook up, and Edward glitters in the sun a bit.

Then some evil vampires turn up, one of whom is obsessed with Bella. Why? Because her blood just smells that good. Apparently there are sequels -- well, there's no "apparently" about it, I can see the sequels from where I'm sitting -- but unless they involve Bella Swan and the entire town of Forks being obliterated in a nuclear devastation, I don't intend to read them.

Twilight should be taken as mindless fun, but it has a lot of subtextual ugliness that makes its popularity disquieting. Bella is one of the most useless, insipid heroines I've encountered in a long time -- and I genuinely love Fanny Price, btw -- while Edward is like a textbook example of a creepy stalker boyfriend. There's a strong element of wish fulfillment -- average girl attracts bad boy who's willing to change for her -- but I cannot be comfortable with a text that portrays abuse as love. Apparently, the series is popular for its abstinence subtext -- Edward and Bella can't be together until their relationship has taken the proper form, that is, Bella's a vampire -- but possibly parents should be wondering if it's really a good idea to conflate "marriage" with "death".

Or, possibly, I'm overthinking. When a series has become this massive, I don't think it hurts to give some serious brain-time to the question of what, exactly, is being consumed.

Jenny said...

Jay -

A very intriguing article and argument indeed, but I have to agree with its author at the end, I'm pretty sure she's overthinking it. That being said, it's not that her arguments are inaccurate or actually even take that much delving under the surface, but at the end of the day, it's simply a story right? I mean, if her argument is that we're portraying negative stereotypes about strong female leads and relationships well that's a much bigger fish to fry then, isn't it? Don't even get me started on the popularity of Sex in the City with its despicable protagonist or Dawson's Creek with the wishy-washy women on that show, or any other major fad that has stolen the hearts of millions across the world despite it's lack of great moral character.

If this woman set out to dislike the book, which she admits in the opening line of her article she did, well then, that's exactly what was going to happen. If she's an anti-romantic always griping at the impulsive decisions of a girl in love, a teenage girl by the way (I don't know about you by my awesome decision making skills weren't really honed in the 10th grade), then she's probably a lonely women who not so secretly craves an Edward.

Really, I don't care. If I had teenage daughters who wanted to get into Twilight I would probably tell them the same thing my mom told me when I watched Pretty Woman for the first time: that's not the way you find love.

Like I said, I haven't read the books and I don't love the movie, so I'm judging it purely on entertainment value. Plus I hear that Meyer stole some stuff from Charlaine Harris and you know how I feel about True Blood.

Weak females leads go way, way back, perhaps your naysayer should read up on her hans christian anderson or wait, the bible, and find out how deep this problem really goes . . .

jay said...

What really sums it up for me is this line--

"I cannot be comfortable with a text that portrays abuse as love."

That's exactly what this film/book does. And what is truly despicable about it is that, unlike "Sex In the City" or "Dawson's Creek" which you mentioned, "Twilight" is specifically targeted at young girls who are just developing their social norms, gender identities and attitudes toward human relationships.

In my opinion, an artist whose target audience is impressionable minors has an ethical responsibility. Telling young girls that the apex of romance is to lust over someone who is emotionally/physically abusive is just repulsive.

jb said...

i'm so sick of every tween and lonely middle age woman thinking vampires are sexy. zombies are passe too. i like carnivale. carnies are the new vampires

Jenny said...

for the record, I am neither a tween nor a lonely middle aged woman and I think vampires are sexy. They are! They are supposed to be! It's part of the lore . . . harumph! but yes, carnies are cool too . . .